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Undulating wood, like a rivulet of water seized mid-flow, ripples into the recognizable shape of a chair, but is made unfamiliar by its confluence of figurative forms. Like a latter day Dr. Moreau, Pocsik splices the suggestion of human limbs into the chair, making the human indistinguishable from the utilitarian. There is a sense of playfulness, the language we use to describe furniture — a chair’s “arms”, its “legs,” its “feet” — given literal purchase. The chair’s seat spills into an attenuated front leg, an outsize foot protruding from the frame. When occupied, you can imagine the sitter making an as-yet undefined creature, a new many-legged thing.
1 - “Damned to love(Four feet and two bodies)" - 24” x 64” x 23”H - Carved black walnut
2 - “Chair 6(Hand holding shaft and foot)” - 24” x24” x43”H - Carved black walnut
3 - “Chair 5(Large foot, elbow ear and hand)” - 27” x 30” x 40”H - Carved black walnut
4 - “Chair 4(Flowering ears, hand and foot)” - 24” x24” x43”H - Carved and bleached black Walnut
5 - “Horned Stool(Two feet and two horns)”- 28” x 36” x 24”H
6 - "Chair 1(Spiked bodies and two feet)” - 24” x 30" x 38”H - Carved black walnut
Undulating wood, like a rivulet of water seized mid-flow, ripples into the recognizable shape of a chair, but is made unfamiliar by its confluence of figurative forms. Like a latter day Dr. Moreau, Pocsik splices the suggestion of human limbs into the chair, making the human indistinguishable from the utilitarian. There is a sense of playfulness, the language we use to describe furniture — a chair’s “arms”, its “legs,” its “feet” — given literal purchase. The chair’s seat spills into an attenuated front leg, an outsize foot protruding from the frame. When occupied, you can imagine the sitter making an as-yet undefined creature, a new many-legged thing.
1 - “Damned to love(Four feet and two bodies)" - 24” x 64” x 23”H - Carved black walnut
2 - “Chair 6(Hand holding shaft and foot)” - 24” x24” x43”H - Carved black walnut
3 - “Chair 5(Large foot, elbow ear and hand)” - 27” x 30” x 40”H - Carved black walnut
4 - “Chair 4(Flowering ears, hand and foot)” - 24” x24” x43”H - Carved and bleached black Walnut
5 - “Horned Stool(Two feet and two horns)”- 28” x 36” x 24”H
6 - "Chair 1(Spiked bodies and two feet)” - 24” x 30" x 38”H - Carved black walnut
Undulating wood, like a rivulet of water seized mid-flow, ripples into the recognizable shape of a chair, but is made unfamiliar by its confluence of figurative forms. Like a latter day Dr. Moreau, Pocsik splices the suggestion of human limbs into the chair, making the human indistinguishable from the utilitarian. There is a sense of playfulness, the language we use to describe furniture — a chair’s “arms”, its “legs,” its “feet” — given literal purchase. The chair’s seat spills into an attenuated front leg, an outsize foot protruding from the frame. When occupied, you can imagine the sitter making an as-yet undefined creature, a new many-legged thing.
1 - “Damned to love(Four feet and two bodies)" - 24” x 64” x 23”H - Carved black walnut
2 - “Chair 6(Hand holding shaft and foot)” - 24” x24” x43”H - Carved black walnut
3 - “Chair 5(Large foot, elbow ear and hand)” - 27” x 30” x 40”H - Carved black walnut
4 - “Chair 4(Flowering ears, hand and foot)” - 24” x24” x43”H - Carved and bleached black Walnut
5 - “Horned Stool(Two feet and two horns)”- 28” x 36” x 24”H
6 - "Chair 1(Spiked bodies and two feet)” - 24” x 30" x 38”H - Carved black walnut
Undulating wood, like a rivulet of water seized mid-flow, ripples into the recognizable shape of a chair, but is made unfamiliar by its confluence of figurative forms. Like a latter day Dr. Moreau, Pocsik splices the suggestion of human limbs into the chair, making the human indistinguishable from the utilitarian. There is a sense of playfulness, the language we use to describe furniture — a chair’s “arms”, its “legs,” its “feet” — given literal purchase. The chair’s seat spills into an attenuated front leg, an outsize foot protruding from the frame. When occupied, you can imagine the sitter making an as-yet undefined creature, a new many-legged thing.
1 - “Damned to love(Four feet and two bodies)" - 24” x 64” x 23”H - Carved black walnut
2 - “Chair 6(Hand holding shaft and foot)” - 24” x24” x43”H - Carved black walnut
3 - “Chair 5(Large foot, elbow ear and hand)” - 27” x 30” x 40”H - Carved black walnut
4 - “Chair 4(Flowering ears, hand and foot)” - 24” x24” x43”H - Carved and bleached black Walnut
5 - “Horned Stool(Two feet and two horns)”- 28” x 36” x 24”H
6 - "Chair 1(Spiked bodies and two feet)” - 24” x 30" x 38”H - Carved black walnut
Undulating wood, like a rivulet of water seized mid-flow, ripples into the recognizable shape of a chair, but is made unfamiliar by its confluence of figurative forms. Like a latter day Dr. Moreau, Pocsik splices the suggestion of human limbs into the chair, making the human indistinguishable from the utilitarian. There is a sense of playfulness, the language we use to describe furniture — a chair’s “arms”, its “legs,” its “feet” — given literal purchase. The chair’s seat spills into an attenuated front leg, an outsize foot protruding from the frame. When occupied, you can imagine the sitter making an as-yet undefined creature, a new many-legged thing.
1 - “Damned to love(Four feet and two bodies)" - 24” x 64” x 23”H - Carved black walnut
2 - “Chair 6(Hand holding shaft and foot)” - 24” x24” x43”H - Carved black walnut
3 - “Chair 5(Large foot, elbow ear and hand)” - 27” x 30” x 40”H - Carved black walnut
4 - “Chair 4(Flowering ears, hand and foot)” - 24” x24” x43”H - Carved and bleached black Walnut
5 - “Horned Stool(Two feet and two horns)”- 28” x 36” x 24”H
6 - "Chair 1(Spiked bodies and two feet)” - 24” x 30" x 38”H - Carved black walnut
Undulating wood, like a rivulet of water seized mid-flow, ripples into the recognizable shape of a chair, but is made unfamiliar by its confluence of figurative forms. Like a latter day Dr. Moreau, Pocsik splices the suggestion of human limbs into the chair, making the human indistinguishable from the utilitarian. There is a sense of playfulness, the language we use to describe furniture — a chair’s “arms”, its “legs,” its “feet” — given literal purchase. The chair’s seat spills into an attenuated front leg, an outsize foot protruding from the frame. When occupied, you can imagine the sitter making an as-yet undefined creature, a new many-legged thing.
1 - “Damned to love(Four feet and two bodies)" - 24” x 64” x 23”H - Carved black walnut
2 - “Chair 6(Hand holding shaft and foot)” - 24” x24” x43”H - Carved black walnut
3 - “Chair 5(Large foot, elbow ear and hand)” - 27” x 30” x 40”H - Carved black walnut
4 - “Chair 4(Flowering ears, hand and foot)” - 24” x24” x43”H - Carved and bleached black Walnut
5 - “Horned Stool(Two feet and two horns)”- 28” x 36” x 24”H
6 - "Chair 1(Spiked bodies and two feet)” - 24” x 30" x 38”H - Carved black walnut
Undulating wood, like a rivulet of water seized mid-flow, ripples into the recognizable shape of a chair, but is made unfamiliar by its confluence of figurative forms. Like a latter day Dr. Moreau, Pocsik splices the suggestion of human limbs into the chair, making the human indistinguishable from the utilitarian. There is a sense of playfulness, the language we use to describe furniture — a chair’s “arms”, its “legs,” its “feet” — given literal purchase. The chair’s seat spills into an attenuated front leg, an outsize foot protruding from the frame. When occupied, you can imagine the sitter making an as-yet undefined creature, a new many-legged thing.
1 - “Damned to love(Four feet and two bodies)" - 24” x 64” x 23”H - Carved black walnut
2 - “Chair 6(Hand holding shaft and foot)” - 24” x24” x43”H - Carved black walnut
3 - “Chair 5(Large foot, elbow ear and hand)” - 27” x 30” x 40”H - Carved black walnut
4 - “Chair 4(Flowering ears, hand and foot)” - 24” x24” x43”H - Carved and bleached black Walnut
5 - “Horned Stool(Two feet and two horns)”- 28” x 36” x 24”H
6 - "Chair 1(Spiked bodies and two feet)” - 24” x 30" x 38”H - Carved black walnut
Undulating wood, like a rivulet of water seized mid-flow, ripples into the recognizable shape of a chair, but is made unfamiliar by its confluence of figurative forms. Like a latter day Dr. Moreau, Pocsik splices the suggestion of human limbs into the chair, making the human indistinguishable from the utilitarian. There is a sense of playfulness, the language we use to describe furniture — a chair’s “arms”, its “legs,” its “feet” — given literal purchase. The chair’s seat spills into an attenuated front leg, an outsize foot protruding from the frame. When occupied, you can imagine the sitter making an as-yet undefined creature, a new many-legged thing.
1 - “Damned to love(Four feet and two bodies)" - 24” x 64” x 23”H - Carved black walnut
2 - “Chair 6(Hand holding shaft and foot)” - 24” x24” x43”H - Carved black walnut
3 - “Chair 5(Large foot, elbow ear and hand)” - 27” x 30” x 40”H - Carved black walnut
4 - “Chair 4(Flowering ears, hand and foot)” - 24” x24” x43”H - Carved and bleached black Walnut
5 - “Horned Stool(Two feet and two horns)”- 28” x 36” x 24”H
6 - "Chair 1(Spiked bodies and two feet)” - 24” x 30" x 38”H - Carved black walnut
Undulating wood, like a rivulet of water seized mid-flow, ripples into the recognizable shape of a chair, but is made unfamiliar by its confluence of figurative forms. Like a latter day Dr. Moreau, Pocsik splices the suggestion of human limbs into the chair, making the human indistinguishable from the utilitarian. There is a sense of playfulness, the language we use to describe furniture — a chair’s “arms”, its “legs,” its “feet” — given literal purchase. The chair’s seat spills into an attenuated front leg, an outsize foot protruding from the frame. When occupied, you can imagine the sitter making an as-yet undefined creature, a new many-legged thing.
1 - “Damned to love(Four feet and two bodies)" - 24” x 64” x 23”H - Carved black walnut
2 - “Chair 6(Hand holding shaft and foot)” - 24” x24” x43”H - Carved black walnut
3 - “Chair 5(Large foot, elbow ear and hand)” - 27” x 30” x 40”H - Carved black walnut
4 - “Chair 4(Flowering ears, hand and foot)” - 24” x24” x43”H - Carved and bleached black Walnut
5 - “Horned Stool(Two feet and two horns)”- 28” x 36” x 24”H
6 - "Chair 1(Spiked bodies and two feet)” - 24” x 30" x 38”H - Carved black walnut
Undulating wood, like a rivulet of water seized mid-flow, ripples into the recognizable shape of a chair, but is made unfamiliar by its confluence of figurative forms. Like a latter day Dr. Moreau, Pocsik splices the suggestion of human limbs into the chair, making the human indistinguishable from the utilitarian. There is a sense of playfulness, the language we use to describe furniture — a chair’s “arms”, its “legs,” its “feet” — given literal purchase. The chair’s seat spills into an attenuated front leg, an outsize foot protruding from the frame. When occupied, you can imagine the sitter making an as-yet undefined creature, a new many-legged thing.
1 - “Damned to love(Four feet and two bodies)" - 24” x 64” x 23”H - Carved black walnut
2 - “Chair 6(Hand holding shaft and foot)” - 24” x24” x43”H - Carved black walnut
3 - “Chair 5(Large foot, elbow ear and hand)” - 27” x 30” x 40”H - Carved black walnut
4 - “Chair 4(Flowering ears, hand and foot)” - 24” x24” x43”H - Carved and bleached black Walnut
5 - “Horned Stool(Two feet and two horns)”- 28” x 36” x 24”H
6 - "Chair 1(Spiked bodies and two feet)” - 24” x 30" x 38”H - Carved black walnut
Undulating wood, like a rivulet of water seized mid-flow, ripples into the recognizable shape of a chair, but is made unfamiliar by its confluence of figurative forms. Like a latter day Dr. Moreau, Pocsik splices the suggestion of human limbs into the chair, making the human indistinguishable from the utilitarian. There is a sense of playfulness, the language we use to describe furniture — a chair’s “arms”, its “legs,” its “feet” — given literal purchase. The chair’s seat spills into an attenuated front leg, an outsize foot protruding from the frame. When occupied, you can imagine the sitter making an as-yet undefined creature, a new many-legged thing.
1 - “Damned to love(Four feet and two bodies)" - 24” x 64” x 23”H - Carved black walnut
2 - “Chair 6(Hand holding shaft and foot)” - 24” x24” x43”H - Carved black walnut
3 - “Chair 5(Large foot, elbow ear and hand)” - 27” x 30” x 40”H - Carved black walnut
4 - “Chair 4(Flowering ears, hand and foot)” - 24” x24” x43”H - Carved and bleached black Walnut
5 - “Horned Stool(Two feet and two horns)”- 28” x 36” x 24”H
6 - "Chair 1(Spiked bodies and two feet)” - 24” x 30" x 38”H - Carved black walnut
Undulating wood, like a rivulet of water seized mid-flow, ripples into the recognizable shape of a chair, but is made unfamiliar by its confluence of figurative forms. Like a latter day Dr. Moreau, Pocsik splices the suggestion of human limbs into the chair, making the human indistinguishable from the utilitarian. There is a sense of playfulness, the language we use to describe furniture — a chair’s “arms”, its “legs,” its “feet” — given literal purchase. The chair’s seat spills into an attenuated front leg, an outsize foot protruding from the frame. When occupied, you can imagine the sitter making an as-yet undefined creature, a new many-legged thing.
1 - “Damned to love(Four feet and two bodies)" - 24” x 64” x 23”H - Carved black walnut
2 - “Chair 6(Hand holding shaft and foot)” - 24” x24” x43”H - Carved black walnut
3 - “Chair 5(Large foot, elbow ear and hand)” - 27” x 30” x 40”H - Carved black walnut
4 - “Chair 4(Flowering ears, hand and foot)” - 24” x24” x43”H - Carved and bleached black Walnut
5 - “Horned Stool(Two feet and two horns)”- 28” x 36” x 24”H
6 - "Chair 1(Spiked bodies and two feet)” - 24” x 30" x 38”H - Carved black walnut
Undulating wood, like a rivulet of water seized mid-flow, ripples into the recognizable shape of a chair, but is made unfamiliar by its confluence of figurative forms. Like a latter day Dr. Moreau, Pocsik splices the suggestion of human limbs into the chair, making the human indistinguishable from the utilitarian. There is a sense of playfulness, the language we use to describe furniture — a chair’s “arms”, its “legs,” its “feet” — given literal purchase. The chair’s seat spills into an attenuated front leg, an outsize foot protruding from the frame. When occupied, you can imagine the sitter making an as-yet undefined creature, a new many-legged thing.
1 - “Damned to love(Four feet and two bodies)" - 24” x 64” x 23”H - Carved black walnut
2 - “Chair 6(Hand holding shaft and foot)” - 24” x24” x43”H - Carved black walnut
3 - “Chair 5(Large foot, elbow ear and hand)” - 27” x 30” x 40”H - Carved black walnut
4 - “Chair 4(Flowering ears, hand and foot)” - 24” x24” x43”H - Carved and bleached black Walnut
5 - “Horned Stool(Two feet and two horns)”- 28” x 36” x 24”H
6 - "Chair 1(Spiked bodies and two feet)” - 24” x 30" x 38”H - Carved black walnut
Undulating wood, like a rivulet of water seized mid-flow, ripples into the recognizable shape of a chair, but is made unfamiliar by its confluence of figurative forms. Like a latter day Dr. Moreau, Pocsik splices the suggestion of human limbs into the chair, making the human indistinguishable from the utilitarian. There is a sense of playfulness, the language we use to describe furniture — a chair’s “arms”, its “legs,” its “feet” — given literal purchase. The chair’s seat spills into an attenuated front leg, an outsize foot protruding from the frame. When occupied, you can imagine the sitter making an as-yet undefined creature, a new many-legged thing.
1 - “Damned to love(Four feet and two bodies)" - 24” x 64” x 23”H - Carved black walnut
2 - “Chair 6(Hand holding shaft and foot)” - 24” x24” x43”H - Carved black walnut
3 - “Chair 5(Large foot, elbow ear and hand)” - 27” x 30” x 40”H - Carved black walnut
4 - “Chair 4(Flowering ears, hand and foot)” - 24” x24” x43”H - Carved and bleached black Walnut
5 - “Horned Stool(Two feet and two horns)”- 28” x 36” x 24”H
6 - "Chair 1(Spiked bodies and two feet)” - 24” x 30" x 38”H - Carved black walnut
Undulating wood, like a rivulet of water seized mid-flow, ripples into the recognizable shape of a chair, but is made unfamiliar by its confluence of figurative forms. Like a latter day Dr. Moreau, Pocsik splices the suggestion of human limbs into the chair, making the human indistinguishable from the utilitarian. There is a sense of playfulness, the language we use to describe furniture — a chair’s “arms”, its “legs,” its “feet” — given literal purchase. The chair’s seat spills into an attenuated front leg, an outsize foot protruding from the frame. When occupied, you can imagine the sitter making an as-yet undefined creature, a new many-legged thing.
1 - “Damned to love(Four feet and two bodies)" - 24” x 64” x 23”H - Carved black walnut
2 - “Chair 6(Hand holding shaft and foot)” - 24” x24” x43”H - Carved black walnut
3 - “Chair 5(Large foot, elbow ear and hand)” - 27” x 30” x 40”H - Carved black walnut
4 - “Chair 4(Flowering ears, hand and foot)” - 24” x24” x43”H - Carved and bleached black Walnut
5 - “Horned Stool(Two feet and two horns)”- 28” x 36” x 24”H
6 - "Chair 1(Spiked bodies and two feet)” - 24” x 30" x 38”H - Carved black walnut
Undulating wood, like a rivulet of water seized mid-flow, ripples into the recognizable shape of a chair, but is made unfamiliar by its confluence of figurative forms. Like a latter day Dr. Moreau, Pocsik splices the suggestion of human limbs into the chair, making the human indistinguishable from the utilitarian. There is a sense of playfulness, the language we use to describe furniture — a chair’s “arms”, its “legs,” its “feet” — given literal purchase. The chair’s seat spills into an attenuated front leg, an outsize foot protruding from the frame. When occupied, you can imagine the sitter making an as-yet undefined creature, a new many-legged thing.
1 - “Damned to love(Four feet and two bodies)" - 24” x 64” x 23”H - Carved black walnut
2 - “Chair 6(Hand holding shaft and foot)” - 24” x24” x43”H - Carved black walnut
3 - “Chair 5(Large foot, elbow ear and hand)” - 27” x 30” x 40”H - Carved black walnut
4 - “Chair 4(Flowering ears, hand and foot)” - 24” x24” x43”H - Carved and bleached black Walnut
5 - “Horned Stool(Two feet and two horns)”- 28” x 36” x 24”H
6 - "Chair 1(Spiked bodies and two feet)” - 24” x 30" x 38”H - Carved black walnut
Undulating wood, like a rivulet of water seized mid-flow, ripples into the recognizable shape of a chair, but is made unfamiliar by its confluence of figurative forms. Like a latter day Dr. Moreau, Pocsik splices the suggestion of human limbs into the chair, making the human indistinguishable from the utilitarian. There is a sense of playfulness, the language we use to describe furniture — a chair’s “arms”, its “legs,” its “feet” — given literal purchase. The chair’s seat spills into an attenuated front leg, an outsize foot protruding from the frame. When occupied, you can imagine the sitter making an as-yet undefined creature, a new many-legged thing.
1 - “Damned to love(Four feet and two bodies)" - 24” x 64” x 23”H - Carved black walnut
2 - “Chair 6(Hand holding shaft and foot)” - 24” x24” x43”H - Carved black walnut
3 - “Chair 5(Large foot, elbow ear and hand)” - 27” x 30” x 40”H - Carved black walnut
4 - “Chair 4(Flowering ears, hand and foot)” - 24” x24” x43”H - Carved and bleached black Walnut
5 - “Horned Stool(Two feet and two horns)”- 28” x 36” x 24”H
6 - "Chair 1(Spiked bodies and two feet)” - 24” x 30" x 38”H - Carved black walnut
Undulating wood, like a rivulet of water seized mid-flow, ripples into the recognizable shape of a chair, but is made unfamiliar by its confluence of figurative forms. Like a latter day Dr. Moreau, Pocsik splices the suggestion of human limbs into the chair, making the human indistinguishable from the utilitarian. There is a sense of playfulness, the language we use to describe furniture — a chair’s “arms”, its “legs,” its “feet” — given literal purchase. The chair’s seat spills into an attenuated front leg, an outsize foot protruding from the frame. When occupied, you can imagine the sitter making an as-yet undefined creature, a new many-legged thing.
1 - “Damned to love(Four feet and two bodies)" - 24” x 64” x 23”H - Carved black walnut
2 - “Chair 6(Hand holding shaft and foot)” - 24” x24” x43”H - Carved black walnut
3 - “Chair 5(Large foot, elbow ear and hand)” - 27” x 30” x 40”H - Carved black walnut
4 - “Chair 4(Flowering ears, hand and foot)” - 24” x24” x43”H - Carved and bleached black Walnut
5 - “Horned Stool(Two feet and two horns)”- 28” x 36” x 24”H
6 - "Chair 1(Spiked bodies and two feet)” - 24” x 30" x 38”H - Carved black walnut
Undulating wood, like a rivulet of water seized mid-flow, ripples into the recognizable shape of a chair, but is made unfamiliar by its confluence of figurative forms. Like a latter day Dr. Moreau, Pocsik splices the suggestion of human limbs into the chair, making the human indistinguishable from the utilitarian. There is a sense of playfulness, the language we use to describe furniture — a chair’s “arms”, its “legs,” its “feet” — given literal purchase. The chair’s seat spills into an attenuated front leg, an outsize foot protruding from the frame. When occupied, you can imagine the sitter making an as-yet undefined creature, a new many-legged thing.
1 - “Damned to love(Four feet and two bodies)" - 24” x 64” x 23”H - Carved black walnut
2 - “Chair 6(Hand holding shaft and foot)” - 24” x24” x43”H - Carved black walnut
3 - “Chair 5(Large foot, elbow ear and hand)” - 27” x 30” x 40”H - Carved black walnut
4 - “Chair 4(Flowering ears, hand and foot)” - 24” x24” x43”H - Carved and bleached black Walnut
5 - “Horned Stool(Two feet and two horns)”- 28” x 36” x 24”H
6 - "Chair 1(Spiked bodies and two feet)” - 24” x 30" x 38”H - Carved black walnut
Undulating wood, like a rivulet of water seized mid-flow, ripples into the recognizable shape of a chair, but is made unfamiliar by its confluence of figurative forms. Like a latter day Dr. Moreau, Pocsik splices the suggestion of human limbs into the chair, making the human indistinguishable from the utilitarian. There is a sense of playfulness, the language we use to describe furniture — a chair’s “arms”, its “legs,” its “feet” — given literal purchase. The chair’s seat spills into an attenuated front leg, an outsize foot protruding from the frame. When occupied, you can imagine the sitter making an as-yet undefined creature, a new many-legged thing.
1 - “Damned to love(Four feet and two bodies)" - 24” x 64” x 23”H - Carved black walnut
2 - “Chair 6(Hand holding shaft and foot)” - 24” x24” x43”H - Carved black walnut
3 - “Chair 5(Large foot, elbow ear and hand)” - 27” x 30” x 40”H - Carved black walnut
4 - “Chair 4(Flowering ears, hand and foot)” - 24” x24” x43”H - Carved and bleached black Walnut
5 - “Horned Stool(Two feet and two horns)”- 28” x 36” x 24”H
6 - "Chair 1(Spiked bodies and two feet)” - 24” x 30" x 38”H - Carved black walnut