Tube Things come from a land where nothing has a head, a land of pure emotion. They are not a species, have no gender and no head to decide if they ever would like that. Instead they have a tube connecting directly to their torso, which acts as a funnel directly to their heart. They can be found wondering, leaning and sometimes shining their emotion from their tubes.
Black Walnut and Concrete
44"x30x30
48"x30x24
Tube Things come from a land where nothing has a head, a land of pure emotion. They are not a species, have no gender and no head to decide if they ever would like that. Instead they have a tube connecting directly to their torso, which acts as a funnel directly to their heart. They can be found wondering, leaning and sometimes shining their emotion from their tubes.
Black Walnut and Concrete
44"x30x30
48"x30x24
Tube Things come from a land where nothing has a head, a land of pure emotion. They are not a species, have no gender and no head to decide if they ever would like that. Instead they have a tube connecting directly to their torso, which acts as a funnel directly to their heart. They can be found wondering, leaning and sometimes shining their emotion from their tubes.
Black Walnut and Concrete
44"x30x30
48"x30x24
Tube Things come from a land where nothing has a head, a land of pure emotion. They are not a species, have no gender and no head to decide if they ever would like that. Instead they have a tube connecting directly to their torso, which acts as a funnel directly to their heart. They can be found wondering, leaning and sometimes shining their emotion from their tubes.
Black Walnut and Concrete
44"x30x30
48"x30x24
Tube Things come from a land where nothing has a head, a land of pure emotion. They are not a species, have no gender and no head to decide if they ever would like that. Instead they have a tube connecting directly to their torso, which acts as a funnel directly to their heart. They can be found wondering, leaning and sometimes shining their emotion from their tubes.
Black Walnut and Concrete
44"x30x30
48"x30x24
Tube Things come from a land where nothing has a head, a land of pure emotion. They are not a species, have no gender and no head to decide if they ever would like that. Instead they have a tube connecting directly to their torso, which acts as a funnel directly to their heart. They can be found wondering, leaning and sometimes shining their emotion from their tubes.
Black Walnut and Concrete
44"x30x30
48"x30x24
Tube Things come from a land where nothing has a head, a land of pure emotion. They are not a species, have no gender and no head to decide if they ever would like that. Instead they have a tube connecting directly to their torso, which acts as a funnel directly to their heart. They can be found wondering, leaning and sometimes shining their emotion from their tubes.
Black Walnut and Concrete
44"x30x30
48"x30x24
Tube Things come from a land where nothing has a head, a land of pure emotion. They are not a species, have no gender and no head to decide if they ever would like that. Instead they have a tube connecting directly to their torso, which acts as a funnel directly to their heart. They can be found wondering, leaning and sometimes shining their emotion from their tubes.
Black Walnut and Concrete
44"x30x30
48"x30x24
Tube Things come from a land where nothing has a head, a land of pure emotion. They are not a species, have no gender and no head to decide if they ever would like that. Instead they have a tube connecting directly to their torso, which acts as a funnel directly to their heart. They can be found wondering, leaning and sometimes shining their emotion from their tubes.
Black Walnut and Concrete
44"x30x30
48"x30x24
Tube Things come from a land where nothing has a head, a land of pure emotion. They are not a species, have no gender and no head to decide if they ever would like that. Instead they have a tube connecting directly to their torso, which acts as a funnel directly to their heart. They can be found wondering, leaning and sometimes shining their emotion from their tubes.
Black Walnut and Concrete
44"x30x30
48"x30x24
Tube Things come from a land where nothing has a head, a land of pure emotion. They are not a species, have no gender and no head to decide if they ever would like that. Instead they have a tube connecting directly to their torso, which acts as a funnel directly to their heart. They can be found wondering, leaning and sometimes shining their emotion from their tubes.
Black Walnut and Concrete
44"x30x30
48"x30x24
Tube Things come from a land where nothing has a head, a land of pure emotion. They are not a species, have no gender and no head to decide if they ever would like that. Instead they have a tube connecting directly to their torso, which acts as a funnel directly to their heart. They can be found wondering, leaning and sometimes shining their emotion from their tubes.
Black Walnut and Concrete
44"x30x30
48"x30x24
Tube Things come from a land where nothing has a head, a land of pure emotion. They are not a species, have no gender and no head to decide if they ever would like that. Instead they have a tube connecting directly to their torso, which acts as a funnel directly to their heart. They can be found wondering, leaning and sometimes shining their emotion from their tubes.
Black Walnut and Concrete
44"x30x30
48"x30x24
Tube Things come from a land where nothing has a head, a land of pure emotion. They are not a species, have no gender and no head to decide if they ever would like that. Instead they have a tube connecting directly to their torso, which acts as a funnel directly to their heart. They can be found wondering, leaning and sometimes shining their emotion from their tubes.
Black Walnut and Concrete
44"x30x30
48"x30x24
Tube Things come from a land where nothing has a head, a land of pure emotion. They are not a species, have no gender and no head to decide if they ever would like that. Instead they have a tube connecting directly to their torso, which acts as a funnel directly to their heart. They can be found wondering, leaning and sometimes shining their emotion from their tubes.
Black Walnut and Concrete
44"x30x30
48"x30x24
Tube Things come from a land where nothing has a head, a land of pure emotion. They are not a species, have no gender and no head to decide if they ever would like that. Instead they have a tube connecting directly to their torso, which acts as a funnel directly to their heart. They can be found wondering, leaning and sometimes shining their emotion from their tubes.
Black Walnut and Concrete
44"x30x30
48"x30x24
Tube Things come from a land where nothing has a head, a land of pure emotion. They are not a species, have no gender and no head to decide if they ever would like that. Instead they have a tube connecting directly to their torso, which acts as a funnel directly to their heart. They can be found wondering, leaning and sometimes shining their emotion from their tubes.
Black Walnut and Concrete
44"x30x30
48"x30x24
Tube Things come from a land where nothing has a head, a land of pure emotion. They are not a species, have no gender and no head to decide if they ever would like that. Instead they have a tube connecting directly to their torso, which acts as a funnel directly to their heart. They can be found wondering, leaning and sometimes shining their emotion from their tubes.
Black Walnut and Concrete
44"x30x30
48"x30x24
Tube Things come from a land where nothing has a head, a land of pure emotion. They are not a species, have no gender and no head to decide if they ever would like that. Instead they have a tube connecting directly to their torso, which acts as a funnel directly to their heart. They can be found wondering, leaning and sometimes shining their emotion from their tubes.
Black Walnut and Concrete
44"x30x30
48"x30x24
Tube Things come from a land where nothing has a head, a land of pure emotion. They are not a species, have no gender and no head to decide if they ever would like that. Instead they have a tube connecting directly to their torso, which acts as a funnel directly to their heart. They can be found wondering, leaning and sometimes shining their emotion from their tubes.
Black Walnut and Concrete
44"x30x30
48"x30x24
Torso Tube on Pillar series is inspired by my fascination with the human form, in particular torso and legs and industrial tubing. Jean Arp had said that the torso was the part of the body that held true nature, removing the head from a body takes away its reasoning and only leaves the heart. I find this interesting to overlay with the form of a tube. I believe my fascination with pipes/tubes/pillar ect comes from growing up in a working class family in industrial Cleveland, Ohio. The skyline there is riddled with smoke stacks and signs of industry. There was always something beautiful about this to me, especially when in the same skyline as trees. I still hold the same fascination with tubes today, they are the heart of our modern society, they provide us with some many different things, maybe most importantly our water and surround us at a macro and micro level.
Black Walnut and Concrete
52"H x 28 x 15
53"H x 18D
53"H x 18D
Torso Tube on Pillar series is inspired by my fascination with the human form, in particular torso and legs and industrial tubing. Jean Arp had said that the torso was the part of the body that held true nature, removing the head from a body takes away its reasoning and only leaves the heart. I find this interesting to overlay with the form of a tube. I believe my fascination with pipes/tubes/pillar ect comes from growing up in a working class family in industrial Cleveland, Ohio. The skyline there is riddled with smoke stacks and signs of industry. There was always something beautiful about this to me, especially when in the same skyline as trees. I still hold the same fascination with tubes today, they are the heart of our modern society, they provide us with some many different things, maybe most importantly our water and surround us at a macro and micro level.
Black Walnut and Concrete
52"H x 28 x 15
53"H x 18D
53"H x 18D
Torso Tube on Pillar series is inspired by my fascination with the human form, in particular torso and legs and industrial tubing. Jean Arp had said that the torso was the part of the body that held true nature, removing the head from a body takes away its reasoning and only leaves the heart. I find this interesting to overlay with the form of a tube. I believe my fascination with pipes/tubes/pillar ect comes from growing up in a working class family in industrial Cleveland, Ohio. The skyline there is riddled with smoke stacks and signs of industry. There was always something beautiful about this to me, especially when in the same skyline as trees. I still hold the same fascination with tubes today, they are the heart of our modern society, they provide us with some many different things, maybe most importantly our water and surround us at a macro and micro level.
Black Walnut and Concrete
52"H x 28 x 15
53"H x 18D
53"H x 18D
Torso Tube on Pillar series is inspired by my fascination with the human form, in particular torso and legs and industrial tubing. Jean Arp had said that the torso was the part of the body that held true nature, removing the head from a body takes away its reasoning and only leaves the heart. I find this interesting to overlay with the form of a tube. I believe my fascination with pipes/tubes/pillar ect comes from growing up in a working class family in industrial Cleveland, Ohio. The skyline there is riddled with smoke stacks and signs of industry. There was always something beautiful about this to me, especially when in the same skyline as trees. I still hold the same fascination with tubes today, they are the heart of our modern society, they provide us with some many different things, maybe most importantly our water and surround us at a macro and micro level.
Black Walnut and Concrete
52"H x 28 x 15
53"H x 18D
53"H x 18D
Torso Tube on Pillar series is inspired by my fascination with the human form, in particular torso and legs and industrial tubing. Jean Arp had said that the torso was the part of the body that held true nature, removing the head from a body takes away its reasoning and only leaves the heart. I find this interesting to overlay with the form of a tube. I believe my fascination with pipes/tubes/pillar ect comes from growing up in a working class family in industrial Cleveland, Ohio. The skyline there is riddled with smoke stacks and signs of industry. There was always something beautiful about this to me, especially when in the same skyline as trees. I still hold the same fascination with tubes today, they are the heart of our modern society, they provide us with some many different things, maybe most importantly our water and surround us at a macro and micro level.
Black Walnut and Concrete
52"H x 28 x 15
53"H x 18D
53"H x 18D
Torso Tube on Pillar series is inspired by my fascination with the human form, in particular torso and legs and industrial tubing. Jean Arp had said that the torso was the part of the body that held true nature, removing the head from a body takes away its reasoning and only leaves the heart. I find this interesting to overlay with the form of a tube. I believe my fascination with pipes/tubes/pillar ect comes from growing up in a working class family in industrial Cleveland, Ohio. The skyline there is riddled with smoke stacks and signs of industry. There was always something beautiful about this to me, especially when in the same skyline as trees. I still hold the same fascination with tubes today, they are the heart of our modern society, they provide us with some many different things, maybe most importantly our water and surround us at a macro and micro level.
Black Walnut and Concrete
52"H x 28 x 15
53"H x 18D
53"H x 18D
Torso Tube on Pillar series is inspired by my fascination with the human form, in particular torso and legs and industrial tubing. Jean Arp had said that the torso was the part of the body that held true nature, removing the head from a body takes away its reasoning and only leaves the heart. I find this interesting to overlay with the form of a tube. I believe my fascination with pipes/tubes/pillar ect comes from growing up in a working class family in industrial Cleveland, Ohio. The skyline there is riddled with smoke stacks and signs of industry. There was always something beautiful about this to me, especially when in the same skyline as trees. I still hold the same fascination with tubes today, they are the heart of our modern society, they provide us with some many different things, maybe most importantly our water and surround us at a macro and micro level.
Black Walnut and Concrete
52"H x 28 x 15
53"H x 18D
53"H x 18D
Torso Tube on Pillar series is inspired by my fascination with the human form, in particular torso and legs and industrial tubing. Jean Arp had said that the torso was the part of the body that held true nature, removing the head from a body takes away its reasoning and only leaves the heart. I find this interesting to overlay with the form of a tube. I believe my fascination with pipes/tubes/pillar ect comes from growing up in a working class family in industrial Cleveland, Ohio. The skyline there is riddled with smoke stacks and signs of industry. There was always something beautiful about this to me, especially when in the same skyline as trees. I still hold the same fascination with tubes today, they are the heart of our modern society, they provide us with some many different things, maybe most importantly our water and surround us at a macro and micro level.
Black Walnut and Concrete
52"H x 28 x 15
53"H x 18D
53"H x 18D
Torso Tube on Pillar series is inspired by my fascination with the human form, in particular torso and legs and industrial tubing. Jean Arp had said that the torso was the part of the body that held true nature, removing the head from a body takes away its reasoning and only leaves the heart. I find this interesting to overlay with the form of a tube. I believe my fascination with pipes/tubes/pillar ect comes from growing up in a working class family in industrial Cleveland, Ohio. The skyline there is riddled with smoke stacks and signs of industry. There was always something beautiful about this to me, especially when in the same skyline as trees. I still hold the same fascination with tubes today, they are the heart of our modern society, they provide us with some many different things, maybe most importantly our water and surround us at a macro and micro level.
Black Walnut and Concrete
52"H x 28 x 15
53"H x 18D
53"H x 18D
Torso Tube on Pillar series is inspired by my fascination with the human form, in particular torso and legs and industrial tubing. Jean Arp had said that the torso was the part of the body that held true nature, removing the head from a body takes away its reasoning and only leaves the heart. I find this interesting to overlay with the form of a tube. I believe my fascination with pipes/tubes/pillar ect comes from growing up in a working class family in industrial Cleveland, Ohio. The skyline there is riddled with smoke stacks and signs of industry. There was always something beautiful about this to me, especially when in the same skyline as trees. I still hold the same fascination with tubes today, they are the heart of our modern society, they provide us with some many different things, maybe most importantly our water and surround us at a macro and micro level.
Black Walnut and Concrete
52"H x 28 x 15
53"H x 18D
53"H x 18D
Torso Tube on Pillar series is inspired by my fascination with the human form, in particular torso and legs and industrial tubing. Jean Arp had said that the torso was the part of the body that held true nature, removing the head from a body takes away its reasoning and only leaves the heart. I find this interesting to overlay with the form of a tube. I believe my fascination with pipes/tubes/pillar ect comes from growing up in a working class family in industrial Cleveland, Ohio. The skyline there is riddled with smoke stacks and signs of industry. There was always something beautiful about this to me, especially when in the same skyline as trees. I still hold the same fascination with tubes today, they are the heart of our modern society, they provide us with some many different things, maybe most importantly our water and surround us at a macro and micro level.
Black Walnut and Concrete
52"H x 28 x 15
53"H x 18D
53"H x 18D
Torso Tube on Pillar series is inspired by my fascination with the human form, in particular torso and legs and industrial tubing. Jean Arp had said that the torso was the part of the body that held true nature, removing the head from a body takes away its reasoning and only leaves the heart. I find this interesting to overlay with the form of a tube. I believe my fascination with pipes/tubes/pillar ect comes from growing up in a working class family in industrial Cleveland, Ohio. The skyline there is riddled with smoke stacks and signs of industry. There was always something beautiful about this to me, especially when in the same skyline as trees. I still hold the same fascination with tubes today, they are the heart of our modern society, they provide us with some many different things, maybe most importantly our water and surround us at a macro and micro level.
Black Walnut and Concrete
52"H x 28 x 15
53"H x 18D
53"H x 18D
Torso Tube on Pillar series is inspired by my fascination with the human form, in particular torso and legs and industrial tubing. Jean Arp had said that the torso was the part of the body that held true nature, removing the head from a body takes away its reasoning and only leaves the heart. I find this interesting to overlay with the form of a tube. I believe my fascination with pipes/tubes/pillar ect comes from growing up in a working class family in industrial Cleveland, Ohio. The skyline there is riddled with smoke stacks and signs of industry. There was always something beautiful about this to me, especially when in the same skyline as trees. I still hold the same fascination with tubes today, they are the heart of our modern society, they provide us with some many different things, maybe most importantly our water and surround us at a macro and micro level.
Black Walnut and Concrete
52"H x 28 x 15
53"H x 18D
53"H x 18D
Torso Tube on Pillar series is inspired by my fascination with the human form, in particular torso and legs and industrial tubing. Jean Arp had said that the torso was the part of the body that held true nature, removing the head from a body takes away its reasoning and only leaves the heart. I find this interesting to overlay with the form of a tube. I believe my fascination with pipes/tubes/pillar ect comes from growing up in a working class family in industrial Cleveland, Ohio. The skyline there is riddled with smoke stacks and signs of industry. There was always something beautiful about this to me, especially when in the same skyline as trees. I still hold the same fascination with tubes today, they are the heart of our modern society, they provide us with some many different things, maybe most importantly our water and surround us at a macro and micro level.
Black Walnut and Concrete
52"H x 28 x 15
53"H x 18D
53"H x 18D
Torso Tube on Pillar series is inspired by my fascination with the human form, in particular torso and legs and industrial tubing. Jean Arp had said that the torso was the part of the body that held true nature, removing the head from a body takes away its reasoning and only leaves the heart. I find this interesting to overlay with the form of a tube. I believe my fascination with pipes/tubes/pillar ect comes from growing up in a working class family in industrial Cleveland, Ohio. The skyline there is riddled with smoke stacks and signs of industry. There was always something beautiful about this to me, especially when in the same skyline as trees. I still hold the same fascination with tubes today, they are the heart of our modern society, they provide us with some many different things, maybe most importantly our water and surround us at a macro and micro level.
Black Walnut and Concrete
52"H x 28 x 15
53"H x 18D
53"H x 18D
Torso Tube on Pillar series is inspired by my fascination with the human form, in particular torso and legs and industrial tubing. Jean Arp had said that the torso was the part of the body that held true nature, removing the head from a body takes away its reasoning and only leaves the heart. I find this interesting to overlay with the form of a tube. I believe my fascination with pipes/tubes/pillar ect comes from growing up in a working class family in industrial Cleveland, Ohio. The skyline there is riddled with smoke stacks and signs of industry. There was always something beautiful about this to me, especially when in the same skyline as trees. I still hold the same fascination with tubes today, they are the heart of our modern society, they provide us with some many different things, maybe most importantly our water and surround us at a macro and micro level.
Black Walnut and Concrete
52"H x 28 x 15
53"H x 18D
53"H x 18D
Torso Tube on Pillar series is inspired by my fascination with the human form, in particular torso and legs and industrial tubing. Jean Arp had said that the torso was the part of the body that held true nature, removing the head from a body takes away its reasoning and only leaves the heart. I find this interesting to overlay with the form of a tube. I believe my fascination with pipes/tubes/pillar ect comes from growing up in a working class family in industrial Cleveland, Ohio. The skyline there is riddled with smoke stacks and signs of industry. There was always something beautiful about this to me, especially when in the same skyline as trees. I still hold the same fascination with tubes today, they are the heart of our modern society, they provide us with some many different things, maybe most importantly our water and surround us at a macro and micro level.
Black Walnut and Concrete
52"H x 28 x 15
53"H x 18D
53"H x 18D
Torso Tube on Pillar series is inspired by my fascination with the human form, in particular torso and legs and industrial tubing. Jean Arp had said that the torso was the part of the body that held true nature, removing the head from a body takes away its reasoning and only leaves the heart. I find this interesting to overlay with the form of a tube. I believe my fascination with pipes/tubes/pillar ect comes from growing up in a working class family in industrial Cleveland, Ohio. The skyline there is riddled with smoke stacks and signs of industry. There was always something beautiful about this to me, especially when in the same skyline as trees. I still hold the same fascination with tubes today, they are the heart of our modern society, they provide us with some many different things, maybe most importantly our water and surround us at a macro and micro level.
Black Walnut and Concrete
52"H x 28 x 15
53"H x 18D
53"H x 18D
Torso Tube on Pillar series is inspired by my fascination with the human form, in particular torso and legs and industrial tubing. Jean Arp had said that the torso was the part of the body that held true nature, removing the head from a body takes away its reasoning and only leaves the heart. I find this interesting to overlay with the form of a tube. I believe my fascination with pipes/tubes/pillar ect comes from growing up in a working class family in industrial Cleveland, Ohio. The skyline there is riddled with smoke stacks and signs of industry. There was always something beautiful about this to me, especially when in the same skyline as trees. I still hold the same fascination with tubes today, they are the heart of our modern society, they provide us with some many different things, maybe most importantly our water and surround us at a macro and micro level.
Black Walnut and Concrete
52"H x 28 x 15
53"H x 18D
53"H x 18D
Torso Tube on Pillar series is inspired by my fascination with the human form, in particular torso and legs and industrial tubing. Jean Arp had said that the torso was the part of the body that held true nature, removing the head from a body takes away its reasoning and only leaves the heart. I find this interesting to overlay with the form of a tube. I believe my fascination with pipes/tubes/pillar ect comes from growing up in a working class family in industrial Cleveland, Ohio. The skyline there is riddled with smoke stacks and signs of industry. There was always something beautiful about this to me, especially when in the same skyline as trees. I still hold the same fascination with tubes today, they are the heart of our modern society, they provide us with some many different things, maybe most importantly our water and surround us at a macro and micro level.
Black Walnut and Concrete
52"H x 28 x 15
53"H x 18D
53"H x 18D
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHSE A SIDE.
Hand carved black walnut with de-saturated and aged finish.
29”D x 29”D x 32”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHSE A SIDE.
Hand carved black walnut with de-saturated and aged finish.
29”D x 29”D x 32”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHSE A SIDE.
Hand carved black walnut with de-saturated and aged finish.
29”D x 29”D x 32”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHSE A SIDE.
Hand carved black walnut with de-saturated and aged finish.
29”D x 29”D x 32”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHSE A SIDE.
Hand carved black walnut with de-saturated and aged finish.
29”D x 29”D x 32”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHSE A SIDE.
Hand carved black walnut with de-saturated and aged finish.
29”D x 29”D x 32”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHSE A SIDE.
Hand carved black walnut with de-saturated and aged finish.
29”D x 29”D x 32”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHSE A SIDE.
Hand carved black walnut with de-saturated and aged finish.
29”D x 29”D x 32”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHSE A SIDE.
Hand carved black walnut with de-saturated and aged finish.
29”D x 29”D x 32”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHSE A SIDE.
Hand carved black walnut with de-saturated and aged finish.
29”D x 29”D x 32”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHSE A SIDE.
Hand carved black walnut with de-saturated and aged finish.
29”D x 29”D x 32”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHSE A SIDE.
Hand carved black walnut with de-saturated and aged finish.
29”D x 29”D x 32”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHSE A SIDE.
Hand carved black walnut with de-saturated and aged finish.
29”D x 29”D x 32”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHSE A SIDE.
Hand carved black walnut with de-saturated and aged finish.
29”D x 29”D x 32”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHSE A SIDE.
Hand carved black walnut with de-saturated and aged finish.
29”D x 29”D x 32”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHSE A SIDE.
Hand carved black walnut with de-saturated and aged finish.
29”D x 29”D x 32”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHSE A SIDE.
Hand carved black walnut with de-saturated and aged finish.
29”D x 29”D x 32”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHSE A SIDE.
Hand carved black walnut with de-saturated and aged finish.
29”D x 29”D x 32”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHSE A SIDE.
Hand carved black walnut with de-saturated and aged finish.
29”D x 29”D x 32”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHSE A SIDE.
Hand carved black walnut with de-saturated and aged finish.
29”D x 29”D x 32”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
32”D x 32”D x 61”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
32”D x 32”D x 61”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
32”D x 32”D x 61”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
32”D x 32”D x 61”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
32”D x 32”D x 61”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
32”D x 32”D x 61”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
32”D x 32”D x 61”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
32”D x 32”D x 61”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
32”D x 32”D x 61”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
32”D x 32”D x 61”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
32”D x 32”D x 61”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
32”D x 32”D x 61”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
32”D x 32”D x 61”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
32”D x 32”D x 61”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
32”D x 32”D x 61”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
32”D x 32”D x 61”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
32”D x 32”D x 61”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
32”D x 32”D x 61”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
32”D x 32”D x 61”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
32”D x 32”D x 61”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
21”D x 21”D x 24”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
21”D x 21”D x 24”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
21”D x 21”D x 24”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
21”D x 21”D x 24”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
21”D x 21”D x 24”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
21”D x 21”D x 24”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
21”D x 21”D x 24”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
21”D x 21”D x 24”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
21”D x 21”D x 24”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
21”D x 21”D x 24”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
21”D x 21”D x 24”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
21”D x 21”D x 24”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
21”D x 21”D x 24”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
21”D x 21”D x 24”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
21”D x 21”D x 24”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
21”D x 21”D x 24”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
21”D x 21”D x 24”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
21”D x 21”D x 24”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
21”D x 21”D x 24”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Hand carved black walnut with ebonized emulsion finish.
21”D x 21”D x 24”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Vessel in Camphor burl and cast bronze.
5”D x 5”D x 19”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Vessel in Camphor burl and cast bronze.
5”D x 5”D x 19”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Vessel in Camphor burl and cast bronze.
5”D x 5”D x 19”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Vessel in Camphor burl and cast bronze.
5”D x 5”D x 19”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Vessel in Camphor burl and cast bronze.
5”D x 5”D x 19”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Vessel in Camphor burl and cast bronze.
5”D x 5”D x 19”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Vessel in Camphor burl and cast bronze.
5”D x 5”D x 19”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Vessel in Camphor burl and cast bronze.
5”D x 5”D x 19”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Vessel in Camphor burl and cast bronze.
5”D x 5”D x 19”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Vessel in Camphor burl and cast bronze.
5”D x 5”D x 19”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Vessel in Camphor burl and cast bronze.
5”D x 5”D x 19”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Vessel in Camphor burl and cast bronze.
5”D x 5”D x 19”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Vessel in Camphor burl and cast bronze.
5”D x 5”D x 19”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Vessel in Camphor burl and cast bronze.
5”D x 5”D x 19”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Vessel in Camphor burl and cast bronze.
5”D x 5”D x 19”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Vessel in Camphor burl and cast bronze.
5”D x 5”D x 19”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Vessel in Camphor burl and cast bronze.
5”D x 5”D x 19”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Vessel in Camphor burl and cast bronze.
5”D x 5”D x 19”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Vessel in Camphor burl and cast bronze.
5”D x 5”D x 19”H
ON THE MERIDIAN IS AN EXPLORATION OF IDEAS THAT SIT ALONG THE DIVIDE. ON ONE SIDE THERE IS FIGURATION AND ART, AND ON THE OTHER SIDE THERE IS PURE GEOMETRIC FORM AND FUNCTION. THE WORK IS AN ATTEMPT TO RIDE THE LINE BETWEEN THESE, RECOGNIZING THE DIFFERENCES BUT KNOWING THERE IS NO NEED TO CHOOSE A SIDE.
Vessel in Camphor burl and cast bronze.
5”D x 5”D x 19”H
Carved laminated walnut with solid brass accents
Natural Oil
Ebonized with Natural Oil
96”L x 46”W x 32”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass accents
Natural Oil
Ebonized with Natural Oil
96”L x 46”W x 32”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass accents
Natural Oil
Ebonized with Natural Oil
96”L x 46”W x 32”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass accents
Natural Oil
Ebonized with Natural Oil
96”L x 46”W x 32”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass accents
Natural Oil
Ebonized with Natural Oil
96”L x 46”W x 32”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass accents
Natural Oil
Ebonized with Natural Oil
96”L x 46”W x 32”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass accents
Natural Oil
Ebonized with Natural Oil
96”L x 46”W x 32”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass accents
Natural Oil
Ebonized with Natural Oil
96”L x 46”W x 32”H
Download Cut Sheet PDF
Carved laminated walnut with hand molded leather pouch and solid brass accents.
Natural Oil
Ebonized with Natural Oil
54”L x 36”W x 18”H
Download Cut Sheet PDF
Carved laminated walnut with hand molded leather pouch and solid brass accents.
Natural Oil
Ebonized with Natural Oil
54”L x 36”W x 18”H
Download Cut Sheet PDF
Carved laminated walnut with hand molded leather pouch and solid brass accents.
Natural Oil
Ebonized with Natural Oil
54”L x 36”W x 18”H
Download Cut Sheet PDF
Carved laminated walnut with hand molded leather pouch and solid brass accents.
Natural Oil
Ebonized with Natural Oil
54”L x 36”W x 18”H
Download Cut Sheet PDF
Carved laminated walnut with hand molded leather pouch and solid brass accents.
Natural Oil
Ebonized with Natural Oil
54”L x 36”W x 18”H
Download Cut Sheet PDF
Carved laminated walnut with hand molded leather pouch and solid brass accents.
Natural Oil
Ebonized with Natural Oil
54”L x 36”W x 18”H
Download Cut Sheet PDF
Carved laminated walnut with hand molded leather pouch and solid brass accents.
Natural Oil
Ebonized with Natural Oil
54”L x 36”W x 18”H
Download Cut Sheet PDF
Carved laminated walnut with hand molded leather pouch and solid brass accents.
Natural Oil
Ebonized with Natural Oil
54”L x 36”W x 18”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass accents.
Natural Oil
Ebonized with Naturual Oil
23” Diameter x 22”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass accents.
Natural Oil
Ebonized with Naturual Oil
23” Diameter x 22”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass accents.
Natural Oil
Ebonized with Naturual Oil
23” Diameter x 22”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass accents.
Natural Oil
Ebonized with Naturual Oil
23” Diameter x 22”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass accents.
Natural Oil
Ebonized with Naturual Oil
23” Diameter x 22”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass accents.
Natural Oil
Ebonized with Naturual Oil
23” Diameter x 22”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass accents.
Natural Oil
Ebonized with Naturual Oil
23” Diameter x 22”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass accents.
Natural Oil
Ebonized with Naturual Oil
23” Diameter x 22”H
Download Cut Sheet PDF
Carved laminated walnut with leather cushion, leather bound footrest and solid brass accents.
Natural Oil
Ebonized with Natural Oil
Bone
36" x 17" x 18"H
Carved laminated walnut with leather cushion, leather bound footrest and solid brass accents.
Natural Oil
Ebonized with Natural Oil
Bone
36" x 17" x 18"H
Carved laminated walnut with leather cushion, leather bound footrest and solid brass accents.
Natural Oil
Ebonized with Natural Oil
Bone
36" x 17" x 18"H
Carved laminated walnut with leather cushion, leather bound footrest and solid brass accents.
Natural Oil
Ebonized with Natural Oil
Bone
36" x 17" x 18"H
Carved laminated walnut with leather cushion, leather bound footrest and solid brass accents.
Natural Oil
Ebonized with Natural Oil
Bone
36" x 17" x 18"H
Carved laminated walnut with leather cushion, leather bound footrest and solid brass accents.
Natural Oil
Ebonized with Natural Oil
Bone
36" x 17" x 18"H
Carved laminated walnut with leather cushion, leather bound footrest and solid brass accents.
Natural Oil
Ebonized with Natural Oil
Bone
36" x 17" x 18"H
Carved laminated walnut with leather cushion, leather bound footrest and solid brass accents.
Natural Oil
Ebonized with Natural Oil
Bone
15” x 17”D x 24”H
15” x 17”D x 30”H
15” x 17”D x 36”H
Download Cut Sheet PDF
Carved laminated walnut with leather cushion, leather bound footrest and solid brass accents.
Natural Oil
Ebonized with Natural Oil
Bone
15” x 17”D x 24”H
15” x 17”D x 30”H
15” x 17”D x 36”H
Download Cut Sheet PDF
Carved laminated walnut with leather cushion, leather bound footrest and solid brass accents.
Natural Oil
Ebonized with Natural Oil
Bone
15” x 17”D x 24”H
15” x 17”D x 30”H
15” x 17”D x 36”H
Download Cut Sheet PDF
Carved laminated walnut with leather cushion, leather bound footrest and solid brass accents.
Natural Oil
Ebonized with Natural Oil
Bone
15” x 17”D x 24”H
15” x 17”D x 30”H
15” x 17”D x 36”H
Download Cut Sheet PDF
Carved laminated walnut with leather cushion, leather bound footrest and solid brass accents.
Natural Oil
Ebonized with Natural Oil
Bone
15” x 17”D x 24”H
15” x 17”D x 30”H
15” x 17”D x 36”H
Download Cut Sheet PDF
Carved laminated walnut with leather cushion, leather bound footrest and solid brass accents.
Natural Oil
Ebonized with Natural Oil
Bone
15” x 17”D x 24”H
15” x 17”D x 30”H
15” x 17”D x 36”H
Download Cut Sheet PDF
Carved laminated walnut with leather cushion, leather bound footrest and solid brass accents.
Natural Oil
Ebonized with Natural Oil
Bone
15” x 17”D x 24”H
15” x 17”D x 30”H
15” x 17”D x 36”H
Download Cut Sheet PDF
Carved laminated walnut with leather cushion, leather bound footrest and solid brass accents.
Natural Oil
Ebonized with Natural Oil
Bone
15” x 17”D x 24”H
15” x 17”D x 30”H
15” x 17”D x 36”H
Download Cut Sheet PDF
Hand blown glass with solid brass hardware.
Opal white
Flesh
Dark grey
6.25”D x 5”D x 10.5”H
Download Cut Sheet PDF
Hand blown glass with solid brass hardware.
Opal white
Flesh
Dark grey
6.25”D x 5”D x 10.5”H
Download Cut Sheet PDF
Hand blown glass with solid brass hardware.
Opal white
Flesh
Dark grey
6.25”D x 5”D x 10.5”H
Download Cut Sheet PDF
Hand blown glass with solid brass hardware.
Opal white
Flesh
Dark grey
6.25”D x 5”D x 10.5”H
Download Cut Sheet PDF
Hand blown glass with solid brass hardware.
Opal white
Flesh
Dark grey
6.25”D x 5”D x 10.5”H
Download Cut Sheet PDF
Hand blown glass with solid brass hardware.
Opal white
Flesh
Dark grey
6.25”D x 5”D x 10.5”H
Download Cut Sheet PDF
Hand blown glass with solid brass hardware.
Opal white
Flesh
Dark grey
6.25”D x 5”D x 10.5”H
Download Cut Sheet PDF
Hand blown glass with solid brass hardware.
Opal white
Flesh
Dark grey
6.25”D x 5”D x 10.5”H
Download Cut Sheet PDF
Hand blown glass with solid brass hardware.
Opal white
Flesh
Dark grey
11.5”D x 10.5”D x 11.5”H
Download Cut Sheet PDF
Hand blown glass with solid brass hardware.
Opal white
Flesh
Dark grey
11.5”D x 10.5”D x 11.5”H
Download Cut Sheet PDF
Hand blown glass with solid brass hardware.
Opal white
Flesh
Dark grey
11.5”D x 10.5”D x 11.5”H
Download Cut Sheet PDF
Hand blown glass with solid brass hardware.
Opal white
Flesh
Dark grey
11.5”D x 10.5”D x 11.5”H
Download Cut Sheet PDF
Hand blown glass with solid brass hardware.
Opal white
Flesh
Dark grey
11.5”D x 10.5”D x 11.5”H
Download Cut Sheet PDF
Hand blown glass with solid brass hardware.
Opal white
Flesh
Dark grey
11.5”D x 10.5”D x 11.5”H
Download Cut Sheet PDF
Hand blown glass with solid brass hardware.
Opal white
Flesh
Dark grey
11.5”D x 10.5”D x 11.5”H
Download Cut Sheet PDF
Hand blown glass with solid brass hardware.
Opal white
Flesh
Dark grey
11.5”D x 10.5”D x 11.5”H
Download Cut Sheet PDF
Carved walnut
Food safe natural oil and wax
21” x 12” x 1.5”H
48" x 36" x 2"H
Carved walnut
Food safe natural oil and wax
21” x 12” x 1.5”H
48" x 36" x 2"H
Carved walnut
Food safe natural oil and wax
21” x 12” x 1.5”H
48" x 36" x 2"H
Carved walnut
Food safe natural oil and wax
21” x 12” x 1.5”H
48" x 36" x 2"H
Carved walnut
Food safe natural oil and wax
21” x 12” x 1.5”H
48" x 36" x 2"H
Carved walnut
Food safe natural oil and wax
21” x 12” x 1.5”H
48" x 36" x 2"H
Carved walnut
Food safe natural oil and wax
21” x 12” x 1.5”H
48" x 36" x 2"H
Cast Bronze and turned Walnut / Maple
Inspired by the simplicity of Japanese design and the beauty of decay. My obsession with decay is based on finding different expressions of beauty. I love the way a material wears down slowly overtime. In this particular instance I was looking at decay by way of fire. I wanted to capture the moment of something that has been melted and then solidified into its new form. This intense moment is then balanced by a simple form with pleasant proportions.
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
20”H x 5"
Cast Bronze and turned Walnut / Maple
Inspired by the simplicity of Japanese design and the beauty of decay. My obsession with decay is based on finding different expressions of beauty. I love the way a material wears down slowly overtime. In this particular instance I was looking at decay by way of fire. I wanted to capture the moment of something that has been melted and then solidified into its new form. This intense moment is then balanced by a simple form with pleasant proportions.
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
20”H x 5"
Cast Bronze and turned Walnut / Maple
Inspired by the simplicity of Japanese design and the beauty of decay. My obsession with decay is based on finding different expressions of beauty. I love the way a material wears down slowly overtime. In this particular instance I was looking at decay by way of fire. I wanted to capture the moment of something that has been melted and then solidified into its new form. This intense moment is then balanced by a simple form with pleasant proportions.
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
20”H x 5"
Cast Bronze and turned Walnut / Maple
Inspired by the simplicity of Japanese design and the beauty of decay. My obsession with decay is based on finding different expressions of beauty. I love the way a material wears down slowly overtime. In this particular instance I was looking at decay by way of fire. I wanted to capture the moment of something that has been melted and then solidified into its new form. This intense moment is then balanced by a simple form with pleasant proportions.
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
20”H x 5"
Cast Bronze and turned Walnut / Maple
Inspired by the simplicity of Japanese design and the beauty of decay. My obsession with decay is based on finding different expressions of beauty. I love the way a material wears down slowly overtime. In this particular instance I was looking at decay by way of fire. I wanted to capture the moment of something that has been melted and then solidified into its new form. This intense moment is then balanced by a simple form with pleasant proportions.
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
20”H x 5"
Cast Bronze and turned Walnut / Maple
Inspired by the simplicity of Japanese design and the beauty of decay. My obsession with decay is based on finding different expressions of beauty. I love the way a material wears down slowly overtime. In this particular instance I was looking at decay by way of fire. I wanted to capture the moment of something that has been melted and then solidified into its new form. This intense moment is then balanced by a simple form with pleasant proportions.
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
20”H x 5"
Cast Bronze and turned Walnut / Maple
Inspired by the simplicity of Japanese design and the beauty of decay. My obsession with decay is based on finding different expressions of beauty. I love the way a material wears down slowly overtime. In this particular instance I was looking at decay by way of fire. I wanted to capture the moment of something that has been melted and then solidified into its new form. This intense moment is then balanced by a simple form with pleasant proportions.
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
20”H x 5"
Cast Bronze and turned Walnut / Maple
Inspired by the simplicity of Japanese design and the beauty of decay. My obsession with decay is based on finding different expressions of beauty. I love the way a material wears down slowly overtime. In this particular instance I was looking at decay by way of fire. I wanted to capture the moment of something that has been melted and then solidified into its new form. This intense moment is then balanced by a simple form with pleasant proportions.
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
20”H x 5"
Carved laminated walnut with solid brass detail
Natural Oil
Ebonized with Natural Oil
14” x 8” x 1.25”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass detail
Natural Oil
Ebonized with Natural Oil
14” x 8” x 1.25”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass detail
Natural Oil
Ebonized with Natural Oil
14” x 8” x 1.25”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass detail
Natural Oil
Ebonized with Natural Oil
14” x 8” x 1.25”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass detail
Natural Oil
Ebonized with Natural Oil
14” x 8” x 1.25”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass detail
Natural Oil
Ebonized with Natural Oil
14” x 8” x 1.25”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass detail
Natural Oil
Ebonized with Natural Oil
14” x 8” x 1.25”H
Download Cut Sheet PDF
Carved laminated walnut with solid brass detail
Natural Oil
Ebonized with Natural Oil
14” x 8” x 1.25”H
Download Cut Sheet PDF
Cast Bronze
Inspired by the simplicity of Japanese design and the beauty of decay. My obsession with decay is based on finding different expressions of beauty. I love the way a material wears down slowly overtime. In this particular instance I was looking at decay by way of fire. I wanted to capture the moment of something that has been melted and then solidified into its new form. This intense moment is then balanced by a simple form with pleasant proportions.
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
20”H x 5"
Cast Bronze
Inspired by the simplicity of Japanese design and the beauty of decay. My obsession with decay is based on finding different expressions of beauty. I love the way a material wears down slowly overtime. In this particular instance I was looking at decay by way of fire. I wanted to capture the moment of something that has been melted and then solidified into its new form. This intense moment is then balanced by a simple form with pleasant proportions.
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
20”H x 5"
Cast Bronze
Inspired by the simplicity of Japanese design and the beauty of decay. My obsession with decay is based on finding different expressions of beauty. I love the way a material wears down slowly overtime. In this particular instance I was looking at decay by way of fire. I wanted to capture the moment of something that has been melted and then solidified into its new form. This intense moment is then balanced by a simple form with pleasant proportions.
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
20”H x 5"
Cast Bronze
Inspired by the simplicity of Japanese design and the beauty of decay. My obsession with decay is based on finding different expressions of beauty. I love the way a material wears down slowly overtime. In this particular instance I was looking at decay by way of fire. I wanted to capture the moment of something that has been melted and then solidified into its new form. This intense moment is then balanced by a simple form with pleasant proportions.
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
20”H x 5"
Cast Bronze
Inspired by the simplicity of Japanese design and the beauty of decay. My obsession with decay is based on finding different expressions of beauty. I love the way a material wears down slowly overtime. In this particular instance I was looking at decay by way of fire. I wanted to capture the moment of something that has been melted and then solidified into its new form. This intense moment is then balanced by a simple form with pleasant proportions.
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
20”H x 5"
Cast Bronze
Inspired by the simplicity of Japanese design and the beauty of decay. My obsession with decay is based on finding different expressions of beauty. I love the way a material wears down slowly overtime. In this particular instance I was looking at decay by way of fire. I wanted to capture the moment of something that has been melted and then solidified into its new form. This intense moment is then balanced by a simple form with pleasant proportions.
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
20”H x 5"
Cast Bronze
Inspired by the simplicity of Japanese design and the beauty of decay. My obsession with decay is based on finding different expressions of beauty. I love the way a material wears down slowly overtime. In this particular instance I was looking at decay by way of fire. I wanted to capture the moment of something that has been melted and then solidified into its new form. This intense moment is then balanced by a simple form with pleasant proportions.
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
20”H x 5"
Cast Bronze
Inspired by the simplicity of Japanese design and the beauty of decay. My obsession with decay is based on finding different expressions of beauty. I love the way a material wears down slowly overtime. In this particular instance I was looking at decay by way of fire. I wanted to capture the moment of something that has been melted and then solidified into its new form. This intense moment is then balanced by a simple form with pleasant proportions.
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
20”H x 5"
Carved wood with cast bronze
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
3.5” x 3.5” x 9”H
Carved wood with cast bronze
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
3.5” x 3.5” x 9”H
Carved wood with cast bronze
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
3.5” x 3.5” x 9”H
Carved wood with cast bronze
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
3.5” x 3.5” x 9”H
Carved wood with cast bronze
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
3.5” x 3.5” x 9”H
Carved wood with cast bronze
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
3.5” x 3.5” x 9”H
Carved wood with cast bronze
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
3.5” x 3.5” x 9”H
Carved wood with machined brass
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
27.25” x 12.5” x 2.5”H
Carved wood with machined brass
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
27.25” x 12.5” x 2.5”H
Carved wood with machined brass
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
27.25” x 12.5” x 2.5”H
Carved wood with machined brass
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
27.25” x 12.5” x 2.5”H
Carved wood with machined brass
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
27.25” x 12.5” x 2.5”H
Carved wood with machined brass
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
27.25” x 12.5” x 2.5”H
Carved wood with machined brass
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
27.25” x 12.5” x 2.5”H
Carved wood with cast bronze
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
6”D x 3.5H
Carved wood with cast bronze
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
6”D x 3.5H
Carved wood with cast bronze
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
6”D x 3.5H
Carved wood with cast bronze
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
6”D x 3.5H
Carved wood with cast bronze
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
6”D x 3.5H
Carved wood with cast bronze
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
6”D x 3.5H
Carved wood with cast bronze
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
6”D x 3.5H
Carved wood with machined brass
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
18” x 6” x 4”H
Carved wood with machined brass
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
18” x 6” x 4”H
Carved wood with machined brass
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
18” x 6” x 4”H
Carved wood with machined brass
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
18” x 6” x 4”H
Carved wood with machined brass
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
18” x 6” x 4”H
Carved wood with machined brass
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
18” x 6” x 4”H
Carved wood with machined brass
Made exclusively in collaboration with Lawson-Fenning
Ebonized Walnut
Bleached Maple
18” x 6” x 4”H
Cast Bronze
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
8.125” x 3.5” X 1”H
Cast Bronze
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
8.125” x 3.5” X 1”H
Cast Bronze
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
8.125” x 3.5” X 1”H
Cast Bronze
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
8.125” x 3.5” X 1”H
Cast Bronze
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
8.125” x 3.5” X 1”H
Cast Bronze
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
8.125” x 3.5” X 1”H
Cast Bronze
Made exclusively in collaboration with Lawson-Fenning.
Polished and Aged
8.125” x 3.5” X 1”H
